about us | membership | events | the BAG fund | BAG gallery | member's art | faq join BAG

I’m in the Cambodian Highlands, circa 1968 (tell no one, by the way, because us being where we were at that particular time was really totally inappropriate), and I’m two weeks short. Crawling through the jungle, two weeks short, just doing the usual shit. I will say, my head is spinning a bit because after about 36 hours of no sleep, several of my key people and I had decided to drop some of the acid. Just to take the edge off the speed. Fast-forward half an hour and I am crawling through the jungle, face camo'd in a nice combination of heliotrope and cadmium red medium, wearing nothing but a knife, an AR-15 with a twenty round magazine (the thirties were too big--you couldn't get close enough to the ground), and some GI boxers. I am slathered in pig fat for reasons I can't, at that exact moment, put my finger on but I remember it has something to do with the barbed wire surrounding the NVA compound we are scoping. I had recently added a couple of ears to my necklace (I only later learned they were ears. For the longest time I just thought they were dried apricots), and now they're stinking like week-old sea scallops, the drugs are kicking in, and I'm thinking, "I wish I was half an hour outside Barstow instead of crawling through this fucking jungle." Now it is axiomatic that when you survive long enough in the deep jungle with the same couple of guys you start to think alike. No sooner have I thought about Barstow than Bobby the Gravedigger starts shouting, "I feel a bit lightheaded. Maybe you should drive." Which, really, is the worst idea imaginable since: a) I was already on the point, so I was, de facto, doing the driving, and b) about half the North Vietnamese army wakes up and starts unloading a ton or so of small caliber ordinance in our general direction. Shittt...shittt. You can hear a round go by you if it's close. It sounds like shitttt. At which point I suggest to Bobby that he shut the fuck up.

Shittt...shittt.

He, undeterred, shouts back, "Tell me you've got the golf shoes." Which is okay, I suppose, since by this time the noise from what one might call the opposition is so loud you could have said anything you wanted and not drawn any more attention than we were getting. Black Eddie then crawls up next to me and says, with kind of a crazy grin, "Could be worse. Could be raining." At which point the mortars start going off. "Let's get the fuck out of here," I reply, as calmly as I can. And Black Eddie says, "I don't mind running for my life, but I'm not carrying the bag." He is, of course, referring to the one piece of luggage we all take turns carrying. He hands me his rucksack and I take a quick inventory. After one day and two nights in the bush it still contains two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a saltshaker half-full of cocaine, and a whole galaxy of multi-colored uppers, downers, laughers, screamers... Also, a quart of tequila, a quart of rum, a pint of raw ether, and two dozen amyls. I pull out two of the amyls, give one to Black Eddie and pop one myself.

"Shittt"

(This is me actually saying "shit." I always do that after I pop an amyl.) And fuck Bobby, by the way. No drugs for him. He gets nothing. I mean, if he hadn't started shouting we wouldn't be in this mess. Then we all run as fast as we can to a predetermined spot about 600 meters away and hide like cats under the bed during a thunderstorm until the shit has passed. The next day, when I show everyone that I still have the bag, we decide we should make something up so I can get the Congressional Medal of Honor. Lawrence suggests we shoot Bobby in the head and then claim that I had risked my life because I wouldn't leave his body behind. And while we all think there is a good deal of merit to the idea, it has it's share of problems as well. So we come up with something else. And that, my friends, is how I became a hero.

Later I threw it all away to become a painter.





<< ARTIST LIST
        Geoffrey Raymond artist-in-residence
 

 

 

location:
168 7th Street, 3rd Floor, Brooklyn, NY 11215
phone:
 718.858.9069
email:
  info@brooklynartistsgym.com
   
   © copyright brooklyn artists gym